What is the difference contained by adjectives the different lenses for a camera?
so for example on most of the canon DSLR's and any camera basically you have couple of 10's of lenses. is it a short time ago for zooming?? what are they for? i looked on google but cant really express my question contained by the search bar. give a hand. thanks xx
Answers: The lens really define what you can and cannot shoot. Lenses are primarily measured in focal length (in mm) and different purposes need different focal length.
Some lenses are designed to zoom so cover a range of focal lengths. Some lenses will cover a big collection, whilst the majority cover a small distance, a zoom lens in itself it a compromise for verasitlity over outright performance. And the more the lens zoom, the more performance you'll be sacrificing.
Lenses that do not zoom are call Prime Lenses, these are simpler to make and allow for much larger apertures as well as smaller quantity disturbances on the light passing through the cup.
A rough guide for lens uses (on a full frame sensor):
15-35mm is mainly for landscape
50-80 mm is usually low frothy and full body portraits
80-200 is your headshot type of region, as well as for picking out details in a disguise scene. This is also a good length for macro photography of animals/insects.
200+ these are long lenses for when you want to catch subjects from far away. Sports and wildlife photographers tend to use this type of focal length.
There are also specialist lenses that aren't adjectives:
Perspective control (tilt-shift) lenses are used where you want to reduce convergant lines and control the plane of focus. This is fundamentally for product and architechtural photography.
For giving a smooth blurred background, the only lens that I know of to be precise in production with this function is the Sony STF 135mm.
For an SLR (or digital SLR) you vitally need three lenses: 50mm standard (for most shots, landscapes, cityscapes etc.), 28mm widespread angle (for confined spaces, close-ups), and a 125mm long focus (telephoto, for difficult to get at landscape features or for portraits). If you can get hold of all three focal lengths combined within a GOOD zoom lens, that's all you need.
If you're doing wildlife photography you entail something more powerful; but you can buy a spotting scope and get a camera attachment for the eyepiece. Source(s): One-time amateur photographer.
There are three basic lens types.
Prime lenses ... single focal length. A EF 50 mm f/1.4 is an example
Zoom lenses ... have continuous focal lengths as a EF 24-70 mm f/2.8 would have
Specialty lenses ... Marco and perspective control are two such lenses .. EF 50 mm f/2.5 and TS-E 45mm f/2.8 (the perspective control lenses are sometimes call "tilt-shift" lenses)
Here is a link that will show you what various lens length may look like when attached to full frame or APS-C sensored cameras
http://www.tamron.com/lenses/learning_ce…
This is NOT an endorsement for Tamron Source(s): digiPro
Related Questions:
Answers: The lens really define what you can and cannot shoot. Lenses are primarily measured in focal length (in mm) and different purposes need different focal length.
Some lenses are designed to zoom so cover a range of focal lengths. Some lenses will cover a big collection, whilst the majority cover a small distance, a zoom lens in itself it a compromise for verasitlity over outright performance. And the more the lens zoom, the more performance you'll be sacrificing.
Lenses that do not zoom are call Prime Lenses, these are simpler to make and allow for much larger apertures as well as smaller quantity disturbances on the light passing through the cup.
A rough guide for lens uses (on a full frame sensor):
15-35mm is mainly for landscape
50-80 mm is usually low frothy and full body portraits
80-200 is your headshot type of region, as well as for picking out details in a disguise scene. This is also a good length for macro photography of animals/insects.
200+ these are long lenses for when you want to catch subjects from far away. Sports and wildlife photographers tend to use this type of focal length.
There are also specialist lenses that aren't adjectives:
Perspective control (tilt-shift) lenses are used where you want to reduce convergant lines and control the plane of focus. This is fundamentally for product and architechtural photography.
For giving a smooth blurred background, the only lens that I know of to be precise in production with this function is the Sony STF 135mm.
For an SLR (or digital SLR) you vitally need three lenses: 50mm standard (for most shots, landscapes, cityscapes etc.), 28mm widespread angle (for confined spaces, close-ups), and a 125mm long focus (telephoto, for difficult to get at landscape features or for portraits). If you can get hold of all three focal lengths combined within a GOOD zoom lens, that's all you need.
If you're doing wildlife photography you entail something more powerful; but you can buy a spotting scope and get a camera attachment for the eyepiece. Source(s): One-time amateur photographer.
There are three basic lens types.
Prime lenses ... single focal length. A EF 50 mm f/1.4 is an example
Zoom lenses ... have continuous focal lengths as a EF 24-70 mm f/2.8 would have
Specialty lenses ... Marco and perspective control are two such lenses .. EF 50 mm f/2.5 and TS-E 45mm f/2.8 (the perspective control lenses are sometimes call "tilt-shift" lenses)
Here is a link that will show you what various lens length may look like when attached to full frame or APS-C sensored cameras
http://www.tamron.com/lenses/learning_ce…
This is NOT an endorsement for Tamron Source(s): digiPro
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